Posts
photos taken from susan elsagir.
fatih on his bike.
spontaneous visit last year...
what a good looking biker... :-)
photos taken by susan.
robert capa. shot taken by gerda near sergovia fronture. may/june 1937.
"I hope I stay unemployed as a war photographer until the end of my life".
"The pictures are there und you just take them".
Robert Capa
Robert Capa at Magnum Photos.
more of robert capa.
Born of Jewish parents in Budapest, Austria-Hungary in 1913, Capa left the country in 1932 after being arrested because of his political involvement with protestors against the government (his parents had encouraged him to settle elsewhere).
Capa originally wanted to be a writer; however, he found work in photography in Berlin and grew to love the art. In 1933, he moved from Germany to France because of the rise of Nazism, but found it difficult to find work there as a freelance journalist. He adopted the name "Robert Capa" around this time because he felt that it would be recognizable and American-sounding since it was similar to that of film director Frank Capra. (In fact, "cápa" is a Hungarian word meaning 'shark'.)
Spanish Civil War and Chinese Resistance to Japan
From 1936 to 1939, he was in Spain, photographing the horrors of the Spanish Civil War, along with Gerda Taro, his companion and professional photography partner, and David Seymour.[2] In 1938, he traveled to the Chinese city of Wuhan to document the resistance to the Japanese invasion. [3]
In 1936, he became known across the globe for a photo (known as the "Falling Soldier" photo) presumably taken in Cerro Muriano on the Cordoba Front of a Loyalist Militiaman who allegedly had just been shot and was in the act of falling to his death. There has been a long controversy about the authenticity of this photograph. A Spanish historian identified the dead soldier as Federico Borrell García, from Alcoi (Alicante). This identification has been disputed; in fact there is a second photograph showing another soldier falling exactly on the same spot.[4][5] According to the Spanish newspaper El Periodico, the photo was taken near the town of Espejo, at 10 kilometres from Cerro Muriano, proving that the photo was staged [6][7]. In 2009, a Spanish professor published a book titled Shadows of Photography, in which he alleged that the photograph could not have been taken where, when or how Capa and his backers have alleged.[8]
Many of Capa's photographs of the Spanish Civil War were, for many decades, presumed lost, but surfaced in Mexico City in the late 1990s.[9] While fleeing Europe in 1939, Capa had lost the collection, which over time came to be dubbed the "Mexican suitcase".[9] Ownership of the collection was transferred to the Capa Estate, and in December, 2007, moved to the International Center of Photography, a museum founded by Capa's younger brother Cornell in Manhattan.[9][10]
[edit] World War II
At the start of World War II, Capa was in New York City. He had moved there from Paris to look for new work and to escape Nazi persecution. The war took Capa to various parts of the European Theatre on photography assignments. He first photographed for Collier's Weekly, before switching to Life after he was fired by the former. He was the only "enemy alien" photographer for the Allies. On October 7, 1943, Robert Capa was in Naples with Life reporter Will Lang Jr. and photographed the Naples post office bombing.[11]
His most famous work occurred on June 6, 1944 (D-Day) when he swam ashore with the second assault wave on Omaha Beach. He was armed with two Contax II cameras mounted with 50 mm lenses and several rolls of spare film. Capa took 106 pictures in the first couple of hours of the invasion. However, a staff member at Life in London made a mistake in the darkroom; he set the dryer too high and melted the emulsion in the negatives in three complete rolls and over half of a fourth roll. Only eight frames in total were recovered.[12] Capa never said a word to the London bureau chief about the loss of three and a half rolls of his D-Day landing film.[13]
Although a fifteen-year-old lab assistant named Dennis Banks was responsible for the accident, another account, now largely accepted as untrue but which gained widespread currency, blamed Larry Burrows, who worked in the lab not as a technician but as a "tea-boy". [14] Life magazine printed 10 of the frames in its June 19, 1944 issue with captions that described the footage as "slightly out of focus", explaining that Capa's hands were shaking in the excitement of the moment (something which he denied).[15] Capa used this phrase as the title of his autobiographical account of the war, Slightly Out of Focus.
In 1947 Capa traveled into the Soviet Union with his friend, writer John Steinbeck. He took photos in Moscow, Kiev, Tbilisi, Batumi and among the ruins of Stalingrad. The humorous reportage of Steinbeck, A Russian Journal was illustrated with Capa's photos. It was first published in 1948.
In 1947, Capa founded Magnum Photos with Henri Cartier-Bresson, William Vandivert, David Seymour, and George Rodger. In 1951, he became the president.
Capa toured Israel after its founding, and supplied the copious photographs for a book on the new nation written by Irwin Shaw, Report on Israel.
First Indochina War and Death
In the early 1950s, Capa traveled to Japan for an exhibition associated with Magnum Photos. While there, Life magazine asked him to go on assignment to Southeast Asia, where the French had been fighting for eight years in the First Indochina War. Despite the fact he had sworn not to photograph another war a few years earlier, Capa accepted and accompanied a French regiment with two other Time-Life journalists, John Mecklin and Jim Lucas. On May 25, 1954 at 2:55 p.m., the regiment was passing through a dangerous area under fire when Capa decided to leave his jeep and go up the road to photograph the advance. About five minutes later, Mecklin and Lucas heard an explosion; Capa had stepped on a landmine. When they arrived on the scene he was still alive, but his left leg had been blown to pieces and he had a serious wound in his chest. Mecklin screamed for a medic and Capa was taken to a small field hospital where he was pronounced dead on arrival. He had died with his camera in his hand.
Personal Life
In 1934 "André Friedman", as he called himself at that time, met Gerda Pohorylle, a German Jewish refugee. The couple lived in Paris where André taught Gerda photography. Together they contrived the name and image of "Robert Capa" as a famous American photographer. Gerda took the name Gerda Taro, becoming successful in her own right. She traveled with Capa to Spain in 1936 with the intention to document the Spanish Civil War. In July 1937 Capa went on a short business trip to Paris while Gerda remained in Madrid. She was killed near Brunete during a battle. Capa, who was reportedly engaged to her, was deeply shocked and never married.
In February 1943 Capa met Elaine Justin, the beautiful young wife of actor John Austin. They immediately fell in love and the relationship lasted until the end of the war, although Capa spent most of his time in the frontline. Capa lovingly called the redheaded Elaine "Pinky," and their romance became the topic of his war memoir, Slightly Out of Focus. In 1945, Elaine broke up with Capa and married her friend, Chuck Romine.
Some months later Capa became the lover of actress Ingrid Bergman, who was traveling in Europe at the time entertaining American soldiers. In December 1945, Capa followed her to Hollywood, where he worked for American International Pictures for a short time. Bergman tried to persuade him to marry her, but Capa didn't want to live in Hollywood. The relationship ended in the summer of 1946 when Capa traveled to Turkey.
Festival interceltique 2009 :
Les artistes acadiens venus à Lorient pour le festival 2009 jouaient tous les jours de 14H30 à 2 Heures du matin dans le pavillon de l'Acadie.Voici une liste non exhaustive des groupes présents : La Virée, Ode à l'Acadie, Tradition, Dominique Dupuis et le duo formé de Stephen Leblanc et Remi Arsenault ainsi que quelques extraits Youtube pour saisir l'ambiance qui régnait en ce lieu qui attire entre 60.000 à 70.000 visiteurs durant les dix jours du festival.
An tour tan
Au sujet de la musique acadienne : voir ce lien
Mes impressions :
Les musiciens revisitent les airs québécois et parlent avec humour de la vie quotidienne et de leurs relations avec leurs voisins anglophones. Ils sont "of course" parfaitement bilingues et s'expriment également en anglais dans quelques chansons. Leur musique est participative, elle crée du swing dans le pavillon donc le plancher de bois tremble sous les pieds. Il y a de la chaleur et beaucoup d'énergie qui chauffe un public à l'unisson avec les musiciens.
Je vous suggère de vous imprégner de cette musique vibrante et joyeuse. On estime que durant le festival soixante à soixante dix mille spectateurs sont entrés dans le pavillon de l'Acadie c'est dire s'ils sont appréciés par le public lorientais. Tellement appréciés qu'ils sont présents au festival interceltique pour la cinquième année consécutive.
Les raisons d'un tel succès selon mon point de vue :
Leur chansons parlent de la vie quotidienne avec beaucoup d'humour et de poésie. Les expressions fleurent bon le vieux français celui qu'ils ont conservé depuis le 18e siècle alors que nous français l'avons perdu. Les chansons expriment les valeurs traditionnelles qui mélangent racines, terroir, authenticité, vie sociale et amour. Et puis leur musique est un melting pot de musique écossaise, irlandaise et de folk américain.
Les chanteurs occupent la scène en permanence, ne laissant aucun répit aux public. Leur répertoire est d'une richesse incroyable. La musique est souvent participative en interaction avec le public : Illustration par l'image.
Hehe.. Ptg td saya ke rumah shahir dgn Norah. Norah dtg rumah saya pinjam lens sbb dia ada tangkap gambar nikah kt KL. Tumpang dia ke rumah shahir utk ambik filem yg baru sampai. Tgh hari td shahir ke singapore utk ambik barang dari sana. Tak sangka kastam singapore caj utk developing tank (30% harga barang) sbb ia dikategori barang plastik. Nasib baik la filem tak kena caj kastam :) 10 roll ni rasa tak sabar nak xpro :D hehe!
15℃.
I actually feel that the season changed.
The shadow in the afternoon is very long.
photo : LEICA M8 + Voigtlander super-wide heliar 15mm F4.5
Today while walking 3rd Street here in Santa Monica i was amazed at the number of taxi cabs. Never in all my life living near Los Angeles have i seen more the one taxi cab at a time. The streets were full of them here. I got this shot while crossing the street. I like the angle and the repetition of taxi's. I also enjoy the fact that if you didn't know this was in LA you would think this was taken in New York City. It's also one of the few photo of the day's that is in color. I am partial to black and white and shoot most of my artistic stuff in BW. But i like this in color, shows off the cabs as they should be.
